For example yellow sunlight next to neutral gray / violet clouds. By using neutral shades you can emphasise the colour next to the neutral. Sounds counter-intuitive, but it is true. Top Tip: Not sure about neutral colours? Remember that these desaturated colours actually make your painting more colourful. White therefore plays a role in vlaue adjustment AND desaturating colour mixes. Too much white and your mix can go cold and chalky. So you may have to warm the mix up by adding back a little pigment. But it also cools a colour down by desaturating it. Too intense? add the complement and white.įor example the complement of green is red. But no more, because all you need to rememebr is this. I have seen students freak out over this. This is where the most anxiety and stress happens. When mixing neutrals the fine tuning involves adjusting temperature. If you have gone too far one way then add the other colour and bring the mix back again. You can always get back on track by adding colour. If this happens just add more green or yellow and get the green back. But take it easy with the reds you add as they can take your green mix towards brown. These options might suggest a direction already towards warm or cool green. Do this with a little red.Īlizarin a a cool red and cadmium red light is a warm red. You need to knock this intense green back a bit. With neutral colours the first mix of yellow and blue make a highly saturated green. Now what about saturation and temperature? Take some and smear it next to you swatch and ask: lighter or darker?ģ. Now what is the value? At a glance you will know if it is fairly dark or light. Now you can mix green with ultramarine and cadmium yellow lemon.Ģ. I am not telling you what Gigi looks like. Okay now pick one swatch and ask yourself what is the hue of that swatch? Does it look green, yellow, red or something like that? What basic colour name does it lean towards? Country Revery, for example, is a type of green. Have plenty of tissue paper ready to wipe your palette knife clean. Make this a long blade with a rounded tip. You can add cerulean blue and cadmium red light if you want. Ultramarine blue, alizarin crimson, cadmium yellow lemon and titanium white are the basics. Step three is to squeeze out some colours onto your palette. Step two is to cut off a selection of the swatches and stick them onto gesso primed paper or painting panel. Do not buy a new barbecue or cordless drill. Any from reds, yellows, greens, blues and browns. Step one involves a visit to your hardware store. Much better than colour theory from a book. This method is a fun exercise that you can practise in the comfort and privacy of you studio. For the rest of your painting career, mixing colours will be a logical process. Here is how to start mixing neutrals fearlessly. Funny right? So can you mix some Gigi on your palette? Not very easy.īut can you mix a dark, cool shade of blue colour? No problem. Look at the colour and the names given to them. Pop down to your hardware store and pick up a few paint swatches. No these are not my dodgy friends, but rather names given by a paint manufacturer to neutral colours. Of course the colour is not actually grey, most of the time, but what name do you give it? Neutral or Grey Colour - This is the term for a desaturated colour. Check out these resources to master colour temperature. Only by doing this can you adjust the colour mix accurately. You must try to see each colour's warmth or coolness to the colour next to it. For example a colour is lighter or darker when compared to the colour next to it. Relationships - You must assess each colour in relationship to another colour. Then there are these important terms to remember: Saturation - The intensity of a colour.Value - which is the relative lightness or darkeness of a colour.Hue - which is the name of a colour such as Green, Red and Blue.First off there are three qualities to colour. Hold on there! Let me explain a few important colour mixing terms.
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